In his ‘Calming’ Series, the artist's love for nature and natural surroundings is reflected in their work, which draws inspiration from the simplicity of Chinese watercolor paintings. They appreciate the natural scenery of Guilin and the interplay between the blue of the mountains with white-walled houses and their dark tiled roofs, accentuated by the blazing sun. This creates a simple beauty that embodies the interchangeable state of mountains and waters, art that captures the essence of the natural world.

 

Blue is a color that Chinese people particularly love. For example, the famous Jingdezhen blue-and-white porcelain, blue calico fabric, and indigo ceramics have all been enduringly popular. Guilin, known for its picturesque landscapes, captures the unique scenery of mountains standing independently like a chessboard. Although the mountains remain unchanged, they take on a touch of blue during the morning and evening mists, creating a variety of ever-changing and different charms.

 

"At the same time, it also symbolizes the attitude of learning and striving to be better, surpassing the achievements of the past."

 

As for the sea of red flowers at the foot of the mountains, it highlights a scene of freedom and openness, without any constraints.

 

"Flowers have life. They bloom and bear fruit this year, and then they can bloom again the next year. It is different from the flowers that are picked and packaged in a flower shop. A sea of red flowers symbolizes the beauty of continuous regeneration."

 

The flourishing red flowers echo the bright red sun, which is not depicted as a neat circle but rather placed near the center of the painting, showcasing the artist's casual and unconventional style. It cleverly responds to the artistic conception of "leisure in half a day," evoking a feeling of carefree leisure.

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在他的「寧靜」系列中，對自然和周遭環境的熱愛在作品中得以體現，並從中國水墨畫的簡樸之美中獲得靈感。他欣賞桂林的自然景色，以及山脈的藍色與白牆黑瓦的房屋在炙熱的陽光下的相互交融。這創造出一種簡單的美感，體現了山水相間的可互換狀態，以及藝術所捕捉到的自然世界的本質之美。

 

​藍色是中國人喜愛的顏色，例如景泰藍、藍印花土布、靛青陶瓷，都是極受歡迎而歷久不衰的。 山水甲天下的桂林，捕捉那兒峰巒獨立如棋盤的別致風景。山巒雖然長久不變，但每日早晚霞霧間染上一抺藍色，自有一番變化萬千、天天不同的韻味。

「同時，也寓意要學習、要有青出於藍的態度，不斷進步。」

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至於山下一片紅花，則是凸顯自由開放的情景，沒有拘束。

「花是有生命的，今年開花結果，明年又可循環再吐艷發放，那與花店內給採摘下來包裝好的花束不同。 一片紅花，象徵生生不息之美。

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一片盛放的紅花又與紅彤彤的太陽互相呼應，太陽畫成不是工整的圓形，

而且設在畫作近中央的位置，表現出畫家的隨心隨性、不拘一格，

更巧妙地回應「半日閒」的意境，浮現優哉游哉的感覺。